ACTION! Cinema As Catalyst invites filmmakers and activists to present a ‘political’ film that in some way inspires/reflects their own work. This month’s presenting filmmaker is Martine Syms.
Los Angeles Filmforum is pleased to present a retrospective of Chilean-born Montréal-based filmmaker Malena Szlam’s film works with the artist in attendance. Working in 35mm, 16mm, Super 8mm, and digital formats Szlam’s silent, poetic, and ethereal compositions explore notions of time, self, the natural world and materiality.
New to Premiere Pro? This Basics class will help you learn how to professionally edit video.
Join us at Una.Casa on Sunday, April 22 for the premiere of The Sound We See: A Buenos Aires City Symphony, the 16th installment of our international analog community cinema project!
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Since her award-winning debut with How Mata Hari Lost Her Head and Found Her Body in 2011, Amy Ruhl has been developing an important body of work that returns persistently to feminist sites/cites in past popular cultures. Ruhl uses the phrase “radical reproduction” to describe this element of her oeuvre which includes a playful research-based practice and deep engagement with feminist film theory. Her ongoing multidisciplinary performance project, Between Tin Men, includes her trademark tropes of authorial self-inscription, mesmerizing visual effects, and feminist camp.
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Pamplona friends, join us tonight for The Sound We See: A Pamplona City Symphony, premiering tonight as the closing event for the 2018 Punto De Vista International Documentary Film Festival!
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